Monday, October 25, 2010

"South Pacific" Worth The Trip

I couldn't really come up with a perfect fit for today's fractal cookie so I decided to go the "free association" route.  Here's the chain: South Pacific is part of an ocean, oceans have waves--thus Wave On Wave becomes today's cookie.  Now--on with the review!
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What can you say about an endearing and enduring classic like South Pacific?  From start to finish the show is literally stuffed with memorable (and, more importantly, humable) tunes.  Yes, there are some plot issues, chief among them Nellie being able to get past Emile's killing a man and the age difference but not being able to get past the fact that he had two "colored" children.  Still, the show is a product of its time and way back then it was an issue.  Looking at it from a "relativeist" point-of-view South Pacific made some valid points that resonate even today.
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The new National Tour of South Pacific has decided to re-create (as best they can) what the original Broadway production looked like.  A massive (by touring standards) Orchestra (25 touring players augmented by local musicians) lays out a fantastic foundation for the able cast.  The large cast doesn't skimp on talent and the Producers don't skimp on the details--whether it be Navy uniforms or the fact that black servicemen are pretty much always segregated.  One thing the Producers did (which IMHO wasn't necessary) was add back in deleted music that hasn't been heard on stage since nearly the begining.  Sadly, these are mostly reprises and only serve to make a long show even longer: they don't add anything but they don't really take anything away from the show either.
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Much of the credit for the tour's success goes to leads David Pittsinger and Carmen Cusak.  Pittsinger (Emille Dubeque) is an Oera-trained Basso Profundo and literally everything stops each time this guy opens his mouth.  (Yes, he's THAT good!)  Sadly, his French accent sometimes wanders toward Transylvania but that is a minor quibble.  Cusak (Nellie) is a more-than-suitable match for him in the pipes department: her put-on "country" accent was a bit off-putting (to me at least) when she is obviously so highly trained.  Still, there's no denying her vocal chops, her acting ability or the fact that she's as cute as can be--everything a Nellie Forbush needs to be!
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Anderson Davis as Lt. Joe Cable doesn't fare quite so well: yes, he has the all-American good looks of a leading man but he blew "big notes" in TWO different songs!  (In a cast this good, that's pretty much an unforgivealbe sin.)  I also found his affair with Liat a tad creepy: Liat is played by Sume Maeda and she is a tiny little thing who looks, maybe, fourteen.  I'd have much rather seen Cable getting it on with a lush Polynesia beauty than what looks distressingly like child molestation.  The rest of the cast acquits themselves well and there's not a loser in the bunch.
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South Pacific is just about a perfect show: the plot is completely accessable and the music is perfectly crafted the singing and acting are first rate and there's nothing like a show with a full orchestra.  Theater "Virgins" will have an experience like few others and only the most jaded "Veteran" won't find a lot to appreciate here.  Tours like this don't come around very often so go see it while you can.  GO SEE THIS SHOW!!!
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FINAL GRADE: A+

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